Female Body and Conflict Between the Sexes in L'Atalante by Jean Vigo Essay

Female Body and Conflict Between the Sexes in LAtalante by jean Vigo and Les Enfants du Paradis by wave Carne - Essay ExampleThe movie plot turns around the life of Juliette and her husband Jena. After marriage Juliette accompanies Jean on his ship but she is bored of the monotonous life of sailing in the sea. The newly-weds during their travel on the waterways of France halts at Paris. Juliette tries to break free from the monotony by venturing into the nightlife of the city actually a street carriage in a music club of Paris lures her. She is enamored with vibrant city and her desire to strain the intoxicating pleasures of Paris nightlife angers Jean and he sets sail without her. But grief and a desire for clashing his wife put Jean in a state of depression. Juliette is lost in the world of prostitutes, thieves and beggars she devilishly searches for her husband and the barge. Pere Jules, an aged second mate of the ship makes honest effort to find Juliette and succeeds in sma rt reunion of the couple.Jean Vigos French film is also known as Le chaland qui become flat (The Passing Barge). From the plot it is quite evident that is based on the universal conflict of sexes. Jean feels that Juliette has no right to independent pleasures. The female body of Juliette is his object of desire. The passionate film-makers direction and the casts riveting performances have make this movie feature in the list of some of the best movies made worldwide. It has the elements of drama, romance, and fun it is greatly sexual in flavor. The cinematic technique that Jean uses in his movie is ocular fantasy alike his feature film titled Zero de Conduite (Zero for Conduct). For this we need to say that Jean Vigos camera direction and arrangements could create stunning visual compositions. He conveyed his messages through images if words were used it was to minimal brain damage fun and humor, so that a comic effect is generated in the movie.The opening sequence of the film sh ows the couples shift from the church aisle to the cargo